The Ugly Inside

Posted in delphi, poetry with tags , on April 16, 2011 by skyscraped

The Ugly inside
likes to believe she is me sometimes
but remembers those days
when Pretty pushed Ugly
way down

Then the boys drive by,
some of them forty, or older,
when I’m jogging in hot August sun–
And I grow my three heads and my one middle finger
Because it’s better to just be the Ugly sometimes.

When the girls come out
and take all the conversation
to their waistline, their bust size, their clothes,
I am too weird to care
or too bored to tears
for my Ugly inside was my comfort for years
showing me worlds that Pretty
never could find.

And I loved my Ugly
even though it’s culturally right and acceptable,
to be meat on the table,
a salted Aphrodite spread and ready as pie.
God forbid she be too thick
too thin or too quick
as long as she buries
her Ugly inside.

I say raise her up, let Ugly come out
believe she is you for a day
Remember the way
your Ugly made you sane
when Pretty pushed you away
Remember the worlds
you were forced to see early,
the way Pretty tarnished what she loved–
only Ugly would stop,
let other Uglies in,
and grow Beauty in the place
that Pretty forgot.

This garden I knew

Posted in Uncategorized on February 19, 2011 by skyscraped

There was a mystic I knew
who gathered dying flowers in her garden
wrapped them in a shroud of light

There was a gardener I knew
who understood what she was doing
and gave her seeds to plant
in the dead of night

There was a carpenter I knew
who built a home out of trees
that still, to this day, grow green

There was a painter I knew
who wrote it all down
and gave back for all the world to see

And the world took the painter
and hung her up high
for a little while,
just for the novelty

But there are always wall-builders,
stone smiths and witch-burners,
afraid of what they would see

So the world took the paintings
for cannon-fodder
burned the letters right in the street

And the world took the carpenter
and strung him up good
because you can’t live in something so green

But the mystic I knew
still gathers dying flowers

And the gardener I knew
still tends them for hours

And the carpenter I knew
built more living towers

And the painter I knew–

she’s in the garden
growing flowers
from her belly.

The Demigods keep rocking

Posted in Uncategorized with tags , , on January 10, 2011 by skyscraped

In the works: A Demigods Tarot Deck

Posted in Art with tags , , , on December 10, 2010 by skyscraped

So I’ve been entertaining the idea of creating a tarot deck for quite some time. I was, and am, worried about my accuracy and portrayal of this ancient and instinctive artform, and the liberties some might accuse me of taking with it. However, I decided to “proceed with alacrity,” as one of my good friends would put it, and simply begin their creation. Here’s what I’ve got so far:

II. The High Priestess
The High Priestess by Delphi
The High Priestess is the Goddess of her realm. Her left hand (signifying the Right Brain, and its connection to the intuition and the Divine Feminine) is open and reaching toward the infinite realms of microcosm and macrocosm encompassed in the tree; an ecosystem unto itself, living in a greater ecosystem of a forest, within the forests of the world, yet still microcosmic in the grand scope of the Universe. The tree is rooted in a cliff overlooking a deep valley and mountain range, cut in half by the river; the divided and unified earth, reaching upward toward the sun like aching lips begging thirst from the sky. Behind the High Priestess is the Great Pyramid, a flying saucer, and a ball, hovering; gravity defied by magnetism; logic defied by the mystical. Her left wrist is entwined not with chains, but with vines, which grow stronger and more adaptable with time.

Her womb is covered by an inversion of the Seal of Solomon, a rose in bloom grows out of the unification of the inverted feminine/intuitive pyramid and the upright masculine/logic pyramid. Her hair reflects the blue of night and the sunrise of day, or the sunset and midnight, depending on who you ask.

Her left hand is chained to an obelisk, upon which her acolytes have sprayed graffiti. She is chained to the Eye; the All-Seeing. She experiences the Logical Consciousness through the observer of her Third Eye, not allowing third-circuit consciousness to override her High Priestess.

The black sun above and the crescent moon below you can figure out on your own.

and
I. The Magician
The Magician by Delphi
This is the Library of the Worlds as I’ve seen it in dreams. The Magician lives here, reading, studying, but also doing, going out into the bright light behind him. He is Tesla and he is Maerlyn. He holds the Four Suits: Flutes instead of Wands, bringing music of fire and light; Quills instead of swords, for we all know the pen is mightier; Vials instead of Cups, for the wine is alchemical; and Compasses instead of Pentacles, for it is better to know which direction you are going rather than to be wealthy, famous, and blind.

The cat is his best friend from another life. The Swan came in a package from Switzerland one evening. Tesla has always inspired him, and lives on the ceiling in perpetuity. There is an odd world going on in one of the bookshelves, but not unlike the worlds going on inside the books themselves. The table is draped with a tree that spans the worlds of the material and spiritual, the modern and the ancient. Thoth is hanging out on the Dragon’s Pillar, and Vortegern the Wyvern sleeps quietly on its marble surface. The books, they come alive at night, and have their own agenda entirely.

Seriously, don’t steal this shit. Karma is a bitch.
ALL WORKS COPYRIGHT 2010 CHERYL LENEE ANDERSON

Tower in the Water

Posted in Uncategorized on November 27, 2010 by skyscraped

Today’s song of the day is Tower in the Water.

Delphi Bandcamp site up!

Posted in Uncategorized with tags , , , on November 23, 2010 by skyscraped

Lyrics, songs, and photos, mostly by myself and Dee Hill, are now available on my Bandcamp site!

Check out today’s song of the day: The Road. I wrote it almost exactly a year ago, after reading Cormack McCarthy’s book by the same name. Hope you enjoy. That book made me cry like a small child.

Scientific Evidence that Absolute Power corrupts Absolutely

Posted in Uncategorized with tags on October 8, 2010 by skyscraped

So, the results are in: power and hypocrisy are linked in the brain, and even in situations of simulated, fake power, those human subjects given the illusion of power demonstrate less empathy, emotion, or guilt when they lie than do subjects placed in the illusion of low-power.

In one experiment, he took random subjects and had them role-play in a fictional government, so that some would have positions of power (aka prime minister) while others would be peons, like in the previous experiment. But other groups would, for instance, be asked to vividly describe a time when they held a position of power, in an effort to get them into the same mood they experienced when they were in that role. No one involved knew what the experiment was trying to uncover.

Later the subjects were given a questionnaire with gray-area moral questions (such as, is it OK to exceed the speed limit if you’re late for an appointment). After just that brief period of feeling powerful, the role-playing prime ministers were more ready than the peons to say they would bend the rules if they needed to. But when asked other hypothetical questions that tested whether they thought it was OK for other people to skirt the rules, the prime ministers were harder on the rule-benders than the peons.

Read more: http://www.cracked.com/article_18777_5-scientific-reasons-powerful-people-will-always-suck.html#ixzz11jSRMpPI

How about that, now? Think you’d be able to stand it if you were given an inordinate amount of power? Would anyone?

How do we, then, create a society wherein all beings are equally powerful? How do we also, then, given this great responsibility of power, controlour tendencies to abuse power once it is attained?

I’ve often thought about this if, in the slight chance, that anyone would like my songs/poems/art/music enough for me to attain some level of fame. If it was a Lady Gaga/Brittany Spears level of fame, fuck, I’d shave my head too, and then run screaming into the Himalayas and never be seen or heard from again.

I honestly have no idea how I would behave if I were given all the power in the world. I pray that it would be just, but something nags me, saying don’t you know, don’t you understand, if it were you, you’d orchestrate wars, cause famine and genocide, and be corrupt to the bone, just like all the glorified mobsters in international banking, arms sales, and global geopolitics.

It is also interesting to note, that in the last part of the article, it mentions that people who were denied power or placed in powerless situations tended to add to their own powerlessness.

So what is the answer? Empower yourself with knowledge? Seek the truth, but don’t follow leaders? Be your own leader and always make sure you have someone checking your power so that you don’t turn into Hitler?

The Lighthouse

Posted in Uncategorized with tags , , , , , on October 4, 2010 by skyscraped

The Lighthouse
This is a short story I wrote based on a dream-vision I had a few nights ago. enjoy. Copyright 2010 Cheryl Anderson

She awoke in the deep black silence of the old house knowing how to activate the beacon. The dream still lingered; attach the copper wire here, replace the wires in this section, and more than anything, the strange syllables she now knew would charge the entire apparatus. If she could remember them. They sounded older than Enochian, different from the recordings Crowley had left of how to call out the sacred names. There was something more ethereal, more alien, about the way they were pronounced in the dream. She knew it would work.
It had been two weeks since she’d found the house of her dreams; the house that had followed her at night, house of changing stairways, rooms that appeared and disappeared at will, house of its own mind. The house that had grown more clear and prescient since she’d been moving, since she’d been traveling, since everything in society had collapsed and people had been forced into living from day to day, scooping up canned goods, looting, trying to survive. Since time had changed. Since dream-like houses and strange voices in people’s heads had become the norm, not the anomaly, although they were still only discussed in hushed voices, far away from the light of barrel fires and tent cities. It was the only thing she dreamed about, and it was time. It surprised her that the house was uninhabited already, although few things truly surprised her since the Shift. She’d been squatting in its first story, exploring the changing rooms during the day and staying quite away from them at night. But now she knew the passage had to be opened. She rolled out of her makeshift bed of blankets and coats. There was half a candle by her side. She lit it, and walked down the hall to the second story staircase.
As she ascended, the dream came back in more vivid detail. The tall ones, the grey-white shadows, she called them, chanted the innumerable names of potential energy into her skull. They grew louder with each step. The symphony of bells, bells that sounded simultaneously like the vibrato of strings and the pulse of singing bowls, thousands of them, filled the house and her mind. She turned the corner of the staircase and ascended then to the third story, music and voices rising as her feet paced out the rhythm, slow and plodding, reminiscent of a great wheel turning, grinding gigantic galaxies into singularity.
The top story of the house consisted of one octagonal room, twelve feet in diameter, with windows on all sides and a sun roof at the top. There was a ladder from the second story (or was it third, now? The house was dreaming), and she began to climb. The music, the singing white shadows, all that she had feared as a child and all that she had loved, pulled her upward. She knew now where to find the lever to open the sun roof, which would allow the beacon to radiate up into the sky. She stepped up on the solid redwood floor and smiled in relief; the crystal in the center of the room pulsed with sound. It wasn’t just in her head, it was coming from the giant rock, thing of the earth, a crystal amplifier better than any speaker system in the world.
Activate the beacon. Her hands went to work as though they had done their duty a thousand times before. She was no machinist; even in the days before time had changed, she had always left the mysteries of electricity and machines to her husband, who was gifted at understanding invisible forces. What she conceived of in her work as an artist, he could build; what he dreamed of as a machinist, she could visualize and create on paper. Thinking of his hands, how tenderly they would have caressed the ancient wires of the device around the crystal, she began to cry. Long, hard sobs wracked her lungs as she thought of the last time he’d held her, the last time she’d wanted to be held by any man. He had been so different from everyone else, so giving when people had come looking for food, giving shelter and laughter and healing to them. He was a survivor in the world before the Shift, but few had survived when the plague came. She’d been pregnant; one day she’d awoken bleeding, and it had been shortly thereafter when the effects of the virus appeared in her beloved.
“I’m sorry, please forgive me,” he’d said, coughing, the pestilence which had swept across the land devouring his immune system.
“I don’t care, just promise that we’ll find each other again.”
“You know we will. There is no time left, only dreams. I love you, and I’ll be with you, even in dreams, until we can be together again.”
She tried hard not to allow the tears to fall into the wiring, and to keep her calm. When it had first happened, she’d thought about just going off a cliff, or using the knife, or walking into a firefight when the United troops arrived to bus off one clan or another into the camps. Quarantine, they said. For their own good. She actually tried that once, but was pushed out of the way by a sympathetic soldier and told to take cover in a forest that the troops were too afraid to investigate. You don’t want to go to the camps. She’d spent a month out there in madness, talking to ghosts, screaming at demons, and grieving. She’d eaten nothing but worms and some fermented berries, vomiting ever few days, but somehow remained alive. Creekbeds would turn from rushing fresh streams into ditches bogged down with human waste and bodies. Spinal cords still leaking hung from trees where she thought she saw vines. This was life after the Shift; ghosts and dreams seemed to have more substance in the waking world than they had before. When her eyes were open, she could see all the horrors of the world reflected in an impaled animal on a twisting branch or an abandoned traincar loaded with rotting corpses; she could scry its miseries in the carcasses of wild game. But after a couple of weeks, the dreams of the lighthouse snuck back into her nightmares and gilded them with a painful beauty. And though she screamed at the unknown God who saw all of this and did nothing, screamed at him to return her beloved to her, her husband only came to her once during that time. It was the first dream where she’d seen the outside of the lighthouse. It was decrepit and strange. She stood outside of it, afraid to go in.
“You know, you cannot leave this world until you do what you have to do.” Her ghost-dream-husband said.
She erupted with rage. “Why? Why can I not just go easily, now, and not suffer in this horrible place? I’ve suffered enough, I want only to be with you and not be in this world any more.”
“We are not the music itself, only the instruments.”
She emerged from the woods a crone. There had been little joy left in her heart, but that joy was the only precious thing she had; that there was a way to get back, that she did have something to do, and that her dreams would carry her through the motions until she was once again free.
Her tears stopped. She aligned the last wire, tweaked the last bolt, and looked at the thing of beauty under the open roof.
She spoke to nothing. “I know you hear me. I know you know that I have heard you. Please, if there is anything that makes any sense anymore, let it be this. I love you.”
Then she folded her feet under her thighs and sat upright, allowing a voice that was not hers to arise out of her belly. She echoed the chant which rang in her mind, which radiated from the crystal, which had sat dormant in her belly for her entire life, untraceable, unspeakable, until spoken.
The crystal began to glow. It pulsed with every breath she drew, and she drew out her heart in each chant. Then the light from the crystal formed into a single pillar, reaching up to the sky, growing into a miles-long beacon. The sound was deafening, and singular. She saw, felt, and heard the white shadows singing in unison.
I know the magick of the Arc, she thought, the secret of the pyramids, the aleph and the Philosopher’s Stone. It is a brazen disregard for the definition between dream and reality. It’s finally broken through. And I am not alone in it, I am not the only one, I am not the only one who will hear this, who has been dreaming of it…I am not alone, and neither are the dead, or the dreamed of, or any other…I am one instrument in a symphony, and I am the symphony…
Her body was found weeks later by those who had heard the song and knew it was time to gather to it; she was preserved by the blast of energy, sitting still with her feet tucked under her thighs, eyes frosted with tears, arms open in eternal embrace.

Beloved

Posted in delphi with tags , , on October 1, 2010 by skyscraped

There are few shadows here,
where you and I exist,
outside the curtains of time and insanity,
beyond the cogs and artificial flavoring,
past the point of no returning,
we have gone further into the Abyss
and loved it more–
fertile, teeming, the deep–
few shadows. How does this happen?
Where is the light source?
Why are we naked, surrounded by stardust?

There is no time left
only the beating hearts of Shiva and Pravati
locked eternal.

I do not seek to know the plan.
I do not seek to own the plan,
only to adhere to the Truth as it’s been revealed
and the Truth reveals herself
changes her face
puts on another gown
lights a cigarette and laughs out loud:
“Don’t be fooled by what’s about to go down.”

So we weave and work our songheart earth
and I awake with your notes in my dream.

We are the stones the builders refused
and in refusing, set us free.

Delphi Original Artwork

Posted in Ancient Civilizations, Art with tags , , , , , , , , on September 23, 2010 by skyscraped

Now accepting commissions.
Sketches start at $25
11×15 or larger full-color paintings start at $50
Contact: Cheryl Anderson, delphimusic@gmail.com with specifics and your idea. I specialize in esoteric, symbolic, Mucha, Art Nouveau, and steampunk stylized art, but can also do portraits of humans or animals.

Below is a sample of some of my current work.
Demigods Poster by Cheryl Anderson
Demigods Poster Cheryl Anderson




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